Vocal Technique Processing and Performance of Works Based on Vocal Music Psychology

Main Article Content

Shuguang Liu, Kovit Kantasiri

Abstract

 


This article aims to investigate (1) how to understand and interpret the role of vocal psychology in vocal performance, and (2) how to utilize individual vocal performance psychology to improve sound technology processing and work performance. In order to ensure the objectivity, authenticity, and universal validity of the research results, the population sample of this study was selected from vocal students, vocal teachers, experts, and scholars from different music colleges and universities in different regions of China. Collect receipts by conducting a reliable questionnaire survey on the population sample, and analyze the data through SPSS. Analyze data through descriptive statistics and content analysis. The research results are as follows: 1. From the perspective of vocal psychology, imagination, memory, attention, personal emotions, and personal willpower are important works for vocal performance. 2. Vocal performance is a movement process that combines various psychological factors (such as perception, thinking, attention, memory, imagination, emotion, etc.) of the performer with physiological organs and muscle tissues of the body. Reasonably allocating the proportion between singing physiology and singing psychology can ensure the smooth progress of vocal singing and make the performance moving and vivid.


 

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Author Biography

Shuguang Liu, Kovit Kantasiri